Ask Rebecca
If you have a question for Rebecca,
Send it to:
Info@cacbc.org
Dear
Rebecca,
A band
director who had toured China told me he wished he had selected
different pieces to play there. Should we consider selecting a special
repertoire for our China tour?
Due to
cultural differences, repertoire selection for your China performance
tour is very important.
When you tour
Europe, you already have a pretty good idea of what music appeals to the
audience. In China, it is a different story. You will be performing
before high school and college students as well as the general public.
Other than students of music, most Chinese people are quite unfamiliar
with western music.
However, it
may surprise you to learn that, due to movies and television, there is
some American music that has become popular in China. It would be a
great idea to include some of those pieces in your program.
The right
music, well played, will exhilarate the audience and transcend the
moment. It will create a magical atmosphere where the spirits of East
and West come together in a true cultural exchange experience.
Dear
Rebecca,
We plan to include several Chinese pieces in our performance. Is there
any music that we should avoid?
If you want to
delight Chinese audiences, include some popular Chinese pieces. For them
it is a novel experience to hear a familiar song played in the American
style on western instruments.
However, not every Chinese song is appropriate for you to perform.
Here is why:
In recent years, the political environment in China has changed.
Today, western guests and western culture are very welcome in China.
Recently, an American band unwittingly performed a Chinese song
that was made popular in a fifty year old anti-American movie about when
the Chinese fought Americans on the Korean battlefield. The band did not
understand the song’s historical back ground, and were not aware that it
brought back uncomfortable feelings among some of the older audience.
If you plan to play a
Chinese song, it’s a good idea to consult with CACBC’s Chinese born
musicologist to check out the song’s background and social
appropriateness. We will be happy to suggest music that is sure to be
enthusiastically received.
Dear
Rebecca,
We are planning to play both the American & Chinese national anthems.
Are there any special cultural considerations we should be aware of?
Performing the national anthems is a great idea; many of our groups have
done so with wonderful success. However, there is something you need to
pay attention to: the rhythm and mood of China anthem. In America it is
common for musicians to creatively stylize the national anthem. In China
the national anthem is considered a living
part of Chinese history; it would be culturally offensive to alter the
rhythm or spirit of the music in any way.
Dear
Rebecca,
Our
band went to China with a travel agent who had previously toured us all
over America and Europe. He promised we would play for the China
Festival, but we did not. Also, our performance on Great Wall was
stopped and we were asked to leave. Is this an indication that Chinese
do not like American bands?
I’m sorry you had an
unpleasant experience.
American bands are very
welcome in China. The problems you experienced were most likely the
result of a communications breakdown long before you went to China.
I’m sure your travel agent
did a great job for you in the US and Europe; but, apparently he has
little or no experience in China.
As China travel develops,
almost every international travel agency claims to be able to take you
there to tour. However, American travel companies rarely understand the
rules and regulations regarding performance in China, they do not know
the language or the culture and they lack hands-on experience.
Invariably, they “job out”
your tour to a Chinese tour company. This often leads to trouble. The
American company naively assumes the in-country tour operator has
expertise and connections in the performing arts arena. Not so. Chinese
tour companies are good at booking tickets and running regular tours,
but they know next to nothing about the official regulations regarding
performance, concert production, events planning or media promotion.
It’s possible the Chinese tour company
didn’t know that they needed to apply for permission to perform on Great
Wall. Since you never talked directly with the person who arranged your
project, it could be that the China tour company did not clearly
understand that your agent wanted to book you into the festival. Unlike
in US, performance opportunities in music festivals are limited. It’s
likely they had no previous experience with festivals and didn’t know
how to get you in. Perhaps, rather than disappoint you completely, the
tour company set you up to perform in a local gymnasium, thinking or
hoping it would be an acceptable alternate solution.
Needless to say, there was a major
problem with communication. Clear, direct communication with the tour
arranger is vital. That is why it is so important to work with someone
who speaks the language, knows both American and Chinese culture and is
expert at dealing in performing arts system in China.
Dear
Rebecca,
I
recently received a very low bid for our upcoming tour. The venues and
the itinerary look great. Is it too good to be true?
If a deal sounds too good
to be true, it probably isn’t true. A bid proposal may look good on
paper, but it is not a guarantee of a successful tour. There is a big
difference between a promise and a promise delivered!
Price is important, but
not the only consideration. A low bid very often results in a
disappointing tour. You need to know who is behind the scenes working on
your behalf. If that person is not a proven expert in China
concert tours and performance arrangement, you can be sure that your
tour is “jobbed out” to a Chinese tour vendor you may never communicate
with directly!
To find out if a potential
tour vendor is really qualified to take you to China, ask these
questions:
1.
Do they have verifiable credentials and a track record of successful
performance tours in China?
2.
Do they have a professional bi-lingual concert production manager on
staff who will accompany the group?
3.
Can they provide you with several referrals so you can speak directly
with group leaders who really had touring experience with them?
4.
Can they tell you what are the most common problems and dangers
encountered in China when touring? How do they prepare to avoid them?
In Addition, you want to know if
they are knowledgeable about the official permission
procedures and most current government requirements and regulations to
perform in public venues;
How will they manage the advertising and publicity and where will the
audience come from;
If they are ready and able to solve unexpected problems or
emergencies. For
example: A) One box with multi-percussion instruments didn’t arrive in
China with the passengers; you are scheduled to perform tomorrow
evening; B) Due to the differences between Western and Eastern concepts,
the rental instrument you requested arrived and was totally different
than you expected, even though it was the same brand of the
instrument…and your performance is to start soon.
Whether or not you choose to tour with CACBC, we wish you to have a
successful tour experience in China. We hope you choose a capable
organization that will do a good job of handling your project. If you
have concerns that something is not going quite right with your dealings
in China and your current vendor doesn’t seem to have satisfactory
answers, call us. We will be happy to help you by doing some discreet
investigation. Remember, we have access to virtually anyone in
performing arts and the education field in China.
Rebecca
Ji is a wealth of cross-cultural knowledge. She knows both cultures and
speaks both English and Chinese. She knows performance, both front stage
and back. She knows the cultural differences, audience expectations and
can advise an American performing group in the selection of their
repertoire. She knows how China government agencies function and knows
how to solve problems, cut through red tape and get things done. |